“WET” is an ongoing photographic series that began in the summer of 2016 while I was working in Havana, Cuba. It explores the interplay of spontaneous condensation, water, and soap on various surfaces, resulting in fleeting, dreamlike landscapes. Rather than pursuing precise definition, I invite viewers to embrace the soft blurring and sensuous distortions that dissolve the typical boundaries of line and structure.
In this body of work, the surface—whether a windowpane, lens, or other interface—becomes the primary subject matter. Condensation and soapy films disrupt the depth of field, causing an interplay of light and color that transforms what might otherwise appear commonplace. Consequently, the space beyond what we normally observe with clarity shifts into an alternate reality, revealing ever-shifting clouds of color that occupy each scene.
Rooted in my experiences as both an observer and participant in Havana’s bustling environment, “WET” captures those moments when the tangible recedes and impression takes over. By removing the usual constraints of focus and line, I aim to highlight the evocative power of abstraction—where the simplest combination of water and color can evoke profound emotion. The fluidity inherent in these images mirrors the transient nature of perception, reminding us that the line between the real and the imagined can be more delicate than we think.
Ultimately, “WET” is a celebration of the ephemeral, inviting viewers to immerse themselves in a world where water, movement, and color reveal hidden realms. I hope these images prompt reflection on how readily our surroundings can shift into unfamiliar, almost surreal landscapes, reshaping how we perceive both ourselves and our environment.